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THREE:The abbey was very beautiful, and there were more than a hundred nuns besides the lay sisters and the pensionnaires (children and young girls being educated there).

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THREE:DIRECTLY M. and Mme. de Montagu got to London they heard of the death of Pauline��s aunt, the Duchesse de Lesparre, another grief for her; but really at that time for any one to die peacefully among their own people was a subject of thankfulness to them all.In education, principles, conduct, and nationality, they were absolutely different, but each of them was typical of the time, the class, and the party to which she belonged.

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THREE:Her first care had been to release from the Carmes her fellow-prisoners, Jos��phine de Beauharnais and Mme. d��Aiguillon, who now formed an intimate part of her society and that of Barras. To them also came Mme. de Stael, wife of the Swedish Ambassador, the beautiful Mme. Regnault-de-Saint-Jean-d��Angely, Mme. Cambys, and many others thankful to escape from the shadows of prison and death to the light of liberty and pleasure. The restraints of religion and morality were, of course, non-existent; liaisons and [338] licence were the order of the day, and T��r��zia was not likely to be an exception to the general custom. She had, besides her daughter by Tallien, other children, who, as no other name belonged to them, were called Cabarrus. And her being or calling herself Tallien��s wife was no reason why she should renounce her natural right to love any one else where, when, and as often as she pleased.

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FORE:

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FORE:The acquaintance thus begun was a fortunate one for Isabey. In despair at the disappearance of the court and apparently of his own chance of getting on with his profession, he was thinking of giving it up. Mirabeau advised him to stick to it and gave him the commission to paint his own portrait.

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THREE:To divert his thoughts and attention from the rigours and cruelties, for the perpetration of which he had been sent to Bordeaux, she persuaded him to have his portrait done, and induced him and the artist to prolong the sittings on pretence of making the picture a chef d��?uvre, but in reality to occupy his time and attention; in fact, he was found by some one who called to see him reclining comfortably in a boudoir, dividing his attention between the artist who was painting the portrait and T��r��zia, who was also present.By their affectionate and devoted love the rest of her life was made happy, even after the far greater loss in 1820 of the brother to whom she had always been deeply attached.

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